That
extra time also allowed us to get some footage of him playing piano.
This was nice because I wanted to get various footage of this, but I
couldn't use two cameras because of the angles I wanted. I wanted to
move around him, and get shots over his shoulder, close-ups of his
hands, and these kinds of things.
Other
footage that I could get during this studio shoot was of Ramon
writing music, and working out these challenges with paper and
pencil.
I
think that one reason I was able to take advantage of this shooting
schedule is because I did have some specific notes. I tried to plan
out some very specific shots that I wanted. This was in addition to
the specific interview questions I asked. For example, I knew I
wanted a shot of the inside of a piano, and him playing.
Contacts:
, and the film:

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