Having the experience of the first shoot under my belt, I felt more confident about the second shoot. I knew that I wanted to shoot Ramon working, and try to photograph what it was like for a musician to work. He doesn't have a huge home studio, so we felt it was best to imitate this scenario at a large studio in Manhattan. I have a relationship with the National Opera Center, so I decided that would be a great place to shoot. They have two studios that are large, with large pianos, and that allow for a bit of freedom with camera placement, so I booked one of those rooms.
They
were kind enough to allow me to enter the room a few minutes early
(since no one was in there before me) to set up the cameras. This was
the first time that I timed myself to figure how much time it would
take to set up the cameras and the lights. It took me eighteen
minutes to do this.
Website: 
Contacts: 
, and the film: 
Contacts: , and the film: 
No comments:
Post a Comment